Category Archives: Photos

Alexander McKenzie, 'Toni Collette'

The 2013 Archibald Prize at the Art Gallery of NSW

IMG_4133a

Last Friday night, my mother and I were lucky enough to score a ticket to the opening of the Archibald, one of Australia’s premier art prizes. It was evening of artsy fashion, eating fancy hors d’ouevres, hobnobbing with notable artists and personalities, listening to a few speeches and getting exercise politely clapping with a glass of bubbly in your hand. I love the art, the controversy and the debate around this event: the Archibald always delivers. And this year is no exception.

We arrived fashionably late by fifteen minutes, which turned out to be long enough to miss the rush of the doors opening yet plenty of time to imbibe a few OJs and champagnes before the new Director of the Art Gallery of NSW, Dr Michael Brand, officially announced the winners of the four prizes: the Sulman, the Wynne, the Trustees’ Watercolour Prize, and the Archibald.  It was fantastic to see three of the four winners were women, including the winner of the Archibald.

In his opening remarks, Dr Brand referred to the prizes as ‘the Archies’ multiple times. Giving them a nickname shows a great reverence for their significance within the Australian art world and popular culture, as well as great affection. To me it also sums up what the prizes are all about: it’s an egalitarian opportunity to submit your work, to have your say, irrespective of your training. Anyone could have a go — even I could still be an award-winning artist. It is possible, and that’s what is captivating about the ‘Archies’.

Half the foplks stayed upstairs to keep hobnobbing and stay close to the bar.

Half the folks stayed upstairs to keep hobnobbing and stay close to the bar while the other half were down in the exhibition space.

We positioned ourselves strategically near the stairs, so once the formalities were over, we were in the first wave to go through the gallery space downstairs to view the exhibition. The walls were a crisp white, the lighting was perfect and the ceilings high. Instantly, your eyes were drawn to the mass of colour on display.

Seeing the finalists of the Archibald Prize is the main attraction within the exhibition. The prize is awarded to the best portrait of a distinguished Australian, as painted by an Australian. This year, there were 868 entries from all over the country. Del Kathryn Barton won the $75,000 prize with an intricate portrait of the actor Hugo Weaving.

My only disappointment about the painting was seeing it hung in a rather odd spot.  Being that every man and his dog wanted to study the picture, you could barely get close enough to it to see Barton’s intricate details, and thus crowding up Vincent Fantauzzo’s photorealistic portrait of actor Asher Keddie. After waiting a good ten minutes, I finally managed to snap this with only one person and the shoulder of another in the shot:

Del Kathryn Barton, 'hugo'

Del Kathryn Barton, ‘hugo’

The popular choice for best portrait is rarely the same artwork as picked by the Committee. So there’s two additional (but unofficial) awards: The Packing Room Prize (as decided upon by those who unpack, sort and hang the art at the gallery), and the People’s Choice (as voted by members of the public after seeing the exhibition). I wasn’t able to get near the winner of the Packing Room Prize to nab a picture,  but I did see the subject, Tara Moss, dressed and styled in the flesh as she was on canvas.

I stuck my head into the packing room to take a sneaky photo, and smell the paint.

On my way out of the exhibition, I stuck my head into the packing room to take a sneaky photo and smell the paint.

Here’s a handful of the Archibald finalists I liked for a multitude of reasons:

Abbey McCulloch, Naomi Watts

Abbey McCulloch, ‘Naomi Watts’

Julia Ciccarone, 'Portrait of Nicholas Jones'

Julia Ciccarone, ‘Portrait of Nicholas Jones’

Prudence Flint, 'Ukulele'

Prudence Flint, ‘Ukulele’

Sally Ryan, 'Dr Catherine Hamlin AC (MBBS FRCS FRANICOG FRCOG)'

Sally Ryan, ‘Dr Catherine Hamlin AC (MBBS FRCS FRANICOG FRCOG)’

Joshua McPherson, 'Portrait of Ella'

Joshua McPherson, ‘Portrait of Ella’

Joshua Yeldham, 'Self-portrait: Morning Bay'

Joshua Yeldham, ‘Self-portrait: Morning Bay’

Julie Dowling, 'Wilfred Hicks'

Julie Dowling, ‘Wilfred Hicks’

Vincent Fantauzzo, 'Love Face'

Vincent Fantauzzo, ‘Love Face’

Alexander McKenzie, 'Toni Collette'

Alexander McKenzie, ‘Toni Collette’

The Sulman Prize is awarded to “best subject painting, genre painting or mural project by an Australian artist”. The winner of the 2013 Sulman was Victoria Reichelt for ‘After (Books)’. It was my favourite artwork by far in the whole exhibition. It’s not terribly big, but the deer in the library stack was arresting, looking as though it was lit from within.

Victoria Reichelt, 'After (Books)'

Victoria Reichelt, ‘After (Books)’

As in years past, most of my favourite pieces were towards the end of the exhibition, the finalists for the Sulman Prize. The Archibald entries may be the main drawcard, but I find the Sulman entries’ more broad, and I find the varied view points more interesting.

Michael Peck, "The watch'

up close — Michael Peck, “The watch’

Kate Bergin, 'Croquet, tea parties and other stories from Wonderland'

Kate Bergin, ‘Croquet, tea parties and other stories from Wonderland’

Pei Pei He, 'City Circle'

Pei Pei He, ‘City Circle’

Andrew Sullivan, 'Dinosaur trophy head'

Andrew Sullivan, ‘Dinosaur trophy head’

Prudence Flint, 'Queen Anne mirror'

Prudence Flint, ‘Queen Anne mirror’

The prize for the best Australian landscape painting or sculpture is the Wynne Prize. I didn’t much care for the winning painting, but here were a few I enjoyed:

Lucy Culliton, 'Table Cape'

Lucy Culliton, ‘Table Cape’

Alex Seton, 'Soloist'

Alex Seton, ‘Soloist’

Salvatore Zofrea, 'Morning light'

up close — Salvatore Zofrea, ‘Morning light’

Belynda Henry, 'The trees'

Belynda Henry, ‘The trees’

Dinni Kunoth Kemarre, 'My footy heroes'

Dinni Kunoth Kemarre, ‘My footy heroes’

Xiuying Chen, 'Central Railway Station, Sydney'

Xiuying Chen, ‘Central Railway Station, Sydney’, winner of the Trustees’ Watercolour Prize

The Archibald Exhibition is open now until 2nd June at the Art Gallery of NSW, open daily (except Good Friday) from 10am until 5pm. Adults $10 / concession $8 / Child $8 / Member $7 . More info.

*All photos taken by me with an iPhone 4s at the Official Opening of the Archibald exhibition at the Art Gallery of New South Wales, 2013.

IMG_0242a

A Day on the Golf Course

Golf 2

My mother has a rather strange aversion. It’s not a stereotypical one, like fearing rodents, or freaking out over spiders, but one that filled her with dread for more than a decade: She cannot enter the women’s locker room at her old golf club.

There was something in the room that made her feel unwelcome. The vibe, the energy in the women’s locker room was bad. She described feelings of claustrophobia, being weighted down, laboured breathing and of not feeling right. It wasn’t felt in the other areas of the clubhouse she frequented, like the restaurant or the pro-shop. Just the locker room.

Mum mentioned this aversion to us casually, as casually as she would that mention that mangoes are on sale at the green grocers around the corner. We were headed toward the club in question to play a round with my Dad. She wouldn’t be joining us. She entered the club’s unassuming driveway in the heart of an industrial area in Sydney. Pausing long enough to allow us to exit the car, she wished us well and left to spend the afternoon elsewhere – free from the grip of the locker room.

Golf 3

It was a warm, sunny Thursday afternoon at the course. The Lady Members were enjoying their AGM luncheon in the dining room. A bloke with a prosthetic leg was practicing on the putting green. Cessnas were circling overhead in an endless cycle of touch-and-goes. It was rarity to meet up with my Dad during business hours for a sneaky round of golf. In fact, we couldn’t remember the last time he’d played hooky from his own business. It was rather thrilling for all of us.

Dad had already stocked up on water, counted his golf balls and grabbed a bucket of sand to repair divots. So as soon as we arrived, he marched to the first tee before we’d even warmed up. ‘No mucking around’, his demeanour said. Right on, Dad. We kicked off the adventure with reasonable drives down the first fairway and set off on the afternoon’s seven kilometre walk.

The first few holes had their ups and down – some great saves from green side bunkers, and some cold putting – and it was great to have him guide us around his home course. I took a mental (and photographic) note of all the physical aspects being back home afforded me. The feel of the bark on a paperbark tree, the sun burning my skin, the orange glow of the dirt tracks, the whoosh of a squawking cockatoo flying past me, the expansiveness of the blue Australian sky. I filed them away in my memory bank to be accessed in times of homesickness. I breathed deeply, trying to commit the feel and smell of the Sydney air to memory.

Golf 1

IMG_0216a

Golf 9

We had felt the change blow in on the ninth teebox. The smell on the wind indicated rain. I thought it looked a good ways off, until the heavens opened when half way through the 12th hole. Unlike those in the Bay Area, storms in Sydney usually have plenty of lightning. And this one was a cracker! The storm front brought an incredible number of lightning strikes with it, and I did what I’d learned as a kid: I counted the seconds from the flash until the sound of the thunder to gage the distance of the lightning.

Golf 4

All I could envision was two of my favourite people in the world ending up as human Van de Graaf generators. I can’t lie – I was really worried. After we putted out, I voiced my concern and we paused a few minutes to see if the front would pass quickly. We stood at the 13th tee, and Dad regaled the times he (re)married Mum in the club’s yearly Gretna Green tournament. Stories of club presidents acting as ministers, ‘marrying’ the playing partners in celebration of the town of Gretna Green in Scotland being the capital of young English couples eloping in ye olde times.

Okay, let’s go,” Dad said. He was not prepared to let pouring rain and sheet lightning ruin his surreptitious round. A true Australian male, he was not phased in the slightest. We soldiered on.

Golf flower

Down the line, the storm lifted. No one else was out on the course. It was just the three of us, and the ducks. Dad stopped to check in with work. The American went in search of his ball that had rolled off the back of the green. I watched rays of sunshine peek through the clouds. We were all doing our own thing, but it was just one of those moments that takes your breath away. I whipped out my iPhone, hoping that fleeting beauty could be captured forever.

IMG_0242a

IMG_0243a

IMG_0244a

The rain stuck around for the rest of the afternoon, like an afterthought. It didn’t fade our hot streaks on the 18th, holing in for birdies and pars for pleasure of the one-legged gallery. We wandered into the clubhouse to finalize the afternoon. Dad treated us: a Coke Zero for the American, a lemon squash for me. The ice bobbed around the glass, and I took big gulps, thirsty for this moment of nostalgia.

We loaded our gear into the car, and Dad proudly showed us how his new golf buggy collapsed into next to nothing.

Golf 6

Golf 8

IMG_2758a

Life in Sydney

Sunrise in Perth.

Morning, Perth!

A few weeks back, I returned to Australia. My flights took me to Perth, a whole side of my vast nation I had not travelled to before. I stayed long enough to transfer to the domestic terminal, send a few emails and board the plane. A few hours later, I spied Mum waiting for me at the baggage carousel.

G'day Sydney!

G’day Sydney!

Now, I’m back in my childhood home, but in a different room. Gone are the deep turquoise walls, replaced by a soft shade of grey. It’s my favourite colour right now and makes it feel like a whole new room. The art I had collected prior to moving overseas is hanging, framed, on the walls: pictures of ballerinas, Melbourne trams, and photo of one of my favourite horses (and winner of the 2001 Golden Slipper), Ha Ha. A collection of my favourite travel books are stacked on my desk to inspire me to keep doing what I love. On my bedside table, a thunder egg and piece of pink-coloured quartz perched atop Frankie, a (new-to-me) magazine aimed at inner city female hipsters. Whilst I don’t quite fit into that category, I took a punt on it because it looked interesting.

I place an emphasis on keeping my space tidy, clean. The bed is always made, the clothes in their place. It’s livable and inviting. Such a contrast to the way my room used to be!

IMG_2826a

The doona cover is white with navy cross-hatched polka dots. Six pillows of alternating stripes and dots. A thick, soft navy throw graces the end of the bed. The set up is luxurious, a far cry from the accommodations we had in Asia. I feel so calm, so relaxed in this room. As someone who can’t stand going to bed, having such a luxe set up has been revolutionary. I now want to slide under the covers and lay my head down. This is something I am really looking forward to recreating when I return to the Bay Area.

IMG_2746a

IMG_2748a

IMG_2758a

Since arriving, I have not ventured too far from my family’s home in southern Sydney. Staying put usually makes me antsy, but I’ve enjoyed adjusting to the slower pace of life in the suburbs. It’s so quiet. Parts of the area haven’t changed, and others are completely different. Overall, the feeling is one of familiarity, like my favourite PJs.

I’ve been into the city only a handful of times since returning a few weeks back: to meet up with one of my best friends from SF (who was visiting her family in Sydney), for an interview, and to enroll back at Uni. I’m taking a few classes online this year, and we’ll see where it leads. Classes start next week. I look forward to learning new things and stretching my brain again.

Watching the planes land from the cafeteria at Ikea.

Watching the planes land from the cafeteria at Ikea, where I picked up a nifty little desk.

But along with getting to experience the Australian summer, I’ve been so blessed to be absorbed back into the lives of my friends and family. And it’s such an exciting time! New engagements, news of new babies to arrive this year, hens parties, weddings, new romances. Life in Sydney continues, but I feel as though it’s open wide enough to let me in for a just a little while before I head back to San Francisco.

It makes my heart sing to know they’re doing well, and that after more than six years of me not physically participating in their lives, they are still keen to include me. I’m so grateful for the opportunity to experience the joys of life with them.

Family BBQs

Family BBQs.

A cuppa and a chat.

A cuppa and a chat.

The obligatory penis straws at the Hens Party.

The obligatory penis straws at the Hens Party.

One of the best parts about being home have been the impromptu moments: the spur-of-the-moment coffee dates and lunch plans with friends, feeling growing bellies, the shared experience of watching Louis Theroux documentaries with my sister, the honest chats with my brother as we prepare dinner, meeting the fascinating neighbours of my Dad’s aunt, chilling on the verandah with my parents after work, the invites to birthday celebrations, and time spent walking the dog.

All of these things, and more, have brought me joy since returning, spending time back home in Sydney. I’m taking it easy and appreciating the love and support I have here.

IMG_2706a

IMG_2638a

IMG_2805a

IMG_2823a

IMG_2847a